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1 )
“Say Good Night!†Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons after Charles Burton Barber (English, 1845-1894)
“Say Good Night!†a rare signed artist proof, Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons, after Charles Burton Barber (English, 1845-1894). The Princess, to the left, pictured standing holding a doll in right hand, with left hand extended towards her brother, Prince Arthur who pets a one of the Queen Victoria’s Collies. With a Terrier to the right and a toy horse on wheels to the left, within the Queen’s sitting-room. Signed bottom left “Burton Barberâ€. Lettered “London Published June 1st 1886 by B. Brooks & Sons, 171 Strandâ€. English 186
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Paintings |
Other |
Artist: Charles Burton Barber |
Yr: 1860 |
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2 )
19th century oil of Hackney Carriage horses by Albert Clark (English, 1843 – 1892) A 19th century oil on canvas of a pair of harnessed Hackney Carriage horses and terrier within a stable yard Albert Clark (English, 1843 – 1892). The horse wearing bridle, collar,saddle, bellyband all highly decorated with gilt fittings. Signed, in red, bottom left. English, circa 1860.
Albert Clark was regularly commissioned to produce paintings of race horses, shire horse and such carriage horses. As a London equestrian and local to the Islington Agricultural Hall, Albert Clark also had the accolade of producing portraits for the Islington Horse Show prize winners.
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Paintings |
Coaching |
Artist: Albert Clark |
Yr: 1860 |
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7 )
The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867) An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.
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Paintings |
Horse |
Artist: James Pollard |
Yr: 1827 |
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9 )
Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877) A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811â€. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.
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Paintings |
Coaching |
Artist: Charles Cooper Henderson |
Yr: 1850 |
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10 )
Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877) A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811â€. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.
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Paintings |
Coaching |
Artist: Charles Cooper Henderson |
Yr: 1850 |
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13 )
Mallards / ducks etching by George Vernon Stokes RA (English, 1873-1954) An artist proof limited edition coloured dry-point etching of Wild Ducks & Drakes†by George Vernon Stokes, RA (English, 1873-1954). Coloured dry-point limited edition of 75, signed in pencil in the margin, “G Vernon Stokesâ€, and numbered “44/75â€. The reverse bears gallery label “David C. Brown Fine Art Dealer 482 Sauchiehall Street, Glasgow, C.2†and is inscribed in ink “Signed Proof Etching “Wild Duck & Drake†by G. Vernon Stokesâ€. English, circa 1930.
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Paintings |
Farm Animal |
Artist: George Vernon Stokes |
Yr: 1930 |
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18 )
A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873) A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd†label “No. 24116†“London 43, Old Bond Street, Piccadilly, Wâ€. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges†From a sketch-bookâ€. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830.
Provenance:
- Thomas Agnew and Sons No 24116
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Paintings |
Other |
Artist: Sir Edwin Landseer RA |
Yr: 1830 |
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