51 ) An oil a lady, her hunter and Bichon by Charles Augustus Henry Lutyens RA (English, 1829-1915
An oil on Wood & Co canvas of a lady, her hunter and Bichon by Charles Augustus Henry Lutyens RA (English, 1829-1915). Signed bottom left “C Lutyens” and dated “79”. The canvas stencilled to the reverse “ WOOD & Co - 190 - BROMPTON ROAD / LONDON S.W.’”. Then a partly legible label to the reverse reads “3rd daughter of Lawrence …” English 1879.

52 ) “Micky” Irish Wolfhound dry-point etching by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
“Micky”, a dry-point etching of the artist’s Irish Wolfhound, his head over the sofa by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Numbered in the margin, in pencil, bottom left, “27/100” and signed bottom right “Cecil Aldin”. The reverse base label “Original Etching Irish Wolfhound Herbert Dicksee R.E. The Horner Galleries (F.J.Horner) THE CATHEDRAL CORNER 2, Church Street, Sheffield Telephone 26214 Established in 1886.English, circa 1925.

53 ) An oil on canvas of a Yorkshire Terrier by Henry Crowther (fl early 20th, English)
An oil on canvas of a head study of a Yorkshire Terrier, by Henry Crowther (fl early 20th, English). Signed and dated bottom left "H Crowther 1914". The canvas stencilled “WINDSOR & NEWTON’S ARTIST’S CANVAS LONDON W.” English 1914.

54 ) “Lusette” Pug oil by Ida Eléonora Davida von Schulzenheim (Swedish, 1859–1940)
“Lusette” an oil on a “Panneau Hollandais de Valle” panel of a Pug seated at a red draped covered table by Ida Eléonora Davida von Schulzenheim (Swedish, 1859–1940). Titled top right, “Lusette.” and signed and dated bottom right E. Schulzenheim – 91”. The reverse stencilled “PANNEAU HOLLANDAIS DE VALLE PARIS” and another “E. PICANT -14- Rue de Bas PARIS”. French 1891.

55 ) Oil of a Pug by Carl Gerber (German, 1839 - 1866)
An oil on panel of a seated Pug by Carl Gerber (German, 1839 - 1866). Signed middle left “C Gerber”. German, circa 1860.

56 ) “The Black Piper”, Labrador by William Goadby Lawerence (American, 1913 - 2002)
An oil on canvas of a young seated black Labrador, titled “The black Piper” by William Goadby Lawerence (American, 1913 - 2002). Signed bottom left “Wm Goadby Lawerence”. Inscribed in ink to the reverse “THE BLACK PIPER Wm Goadby Lawerence, Navesink River Road, Red Bank, NJ”. American, circa 1960.

57 ) Yorkshire Terrier oil by Joseph Bail (French, 1862-1921)
An oil on panel of a recumbent Yorkshire Terrier wearing a blue satin bow by Joseph Bail (French, 1862-1921). Signed bottom right “Bail Joseph”.

58 ) 19th century, Staffordshire Bull Terrier oil by Richard Hermann Strebel (German, 1861 - 1946)
An oil on canvas of a Staffordshire Bull Terrier proudly standing beside a silver headed walking cane before a wall by Richard Hermann Strebel (German, 1861 - 1946). Signed and dated, in red, bottom right “Richard Strebel 86”. German 1886.

59 ) Terrier oil by Rudolf Carl Huber (Austrian, 1839 - 1896)
A very fine oil of a terrier seated on velvet covering before a floral display by Rudolf Carl Huber (Austrian, 1839 - 1896). The pampered pet wears a pink silk bow, with a silver bowl and waits expectedly besides his owner’s gloves and cane for a walk. Signed “R Carl Huber” and dated 66/5, May, 1866. The reverse bears Vienna gallery label. Austrian 1866.

60 ) "Faithful to the Last" / "The Empty Chair", a Scottish Deerhound engraving after Briton Riviere, RA (British, 1840-1920)
An artist’s proof, "Faithful to the Last" a mixed media engraving after Briton Riviere, RA (British, 1840-1920) 1860 oil. Also known as "The Empty Chair". A Scottish Deerhound stands by his master's empty chair. Signed in pencil, bottom left “Briton Riviere".

61 ) "Fire worshippers"dry-point etching by Herbert Thomas Dicksee (1862-1942)
"Fire worshippers", a pencil signed artist's proof dry-point etching of a King Charles Cavalier Spaniel and a Scottish Deerhound by Herbert Thomas Dicksee R.E (1862-1942. Exhibited, 1899 at the Royal Academy, exhibit number 1515. Lettered middle bottom "London, Published 1899, by C E Clifford & Co., 21 Haymarket SW", beneath signed in pencil "Herbert Dicksee". It was first published, 1899, by printsellers C E Clifford & Co., of 200 Piccadilly, later of 21 Haymarket. Frost and Reed further published the work in 1906. There is an example of the etching in the National Trust property, Tyntesfield, North Somerset. In original black ebonised frame. English, 1899.

62 ) Wire-haired Fox Terrier Scottish Terrier oil by René Philippe Delin (Belgium, 1877-1961)
A group of four Wire-haired Fox Terriers standing in landscape setting by René Philippe Delin (Belgium, 1877-1961). Signed and dated bottom left "R Delin 1927". A Belgium artist who pupiled at the Académie Royale des Beaux-Arts - École supérieure des Arts de la Ville de Bruxelles, whose work in this painting bears a resemblance to Frederick Thomas Daws (1878-1949)

63 ) 19th century, French, Persian influence, elephant earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie Théodore Deck
A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant head handles jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880. A variant of this jardinière model is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 51, page 77.

64 ) An oil of English Pointer at work by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
An oil on canvas of English Pointer in corn fields setting Partridge in flight by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Signed and dated “B Riabouchinsky 1985”. French 1985

65 ) Oil on canvas of a pair of Italian Greyhounds by François Gabriel Guillaume Lepaulle (French, 1804-1886)
Oil on canvas of a pair standing Italian Greyhounds by François Gabriel Guillaume Lepaulle (French, 1804-1886). Signed bottom right in red paint “G Lepaulle”. French, circa 1850 Lépaulle schooled at the prestigious l’École des Beaux-Arts, exhibited at the Paris Salon from 1824 onwards, and the Universal Exhibition of 1855, then today his work can be seen in museums in Paris, Versailles, Victoria Museum in London and The Clark Art Institute, Williamstown, MA.

66 ) A pastel of “Murdoch” a Scottish Terrier puppy by Mabel Gear (English, 1898-1987)
A pastel with pencil and chalks on buff paper of a head study of the Scottish Terrier “Murdoch” by Mabel Gear (English, 1898-1987). Signed in pencil bottom right “M GEAR”, and titled bottom left “MURDOCH.”. English, circa 1960. Images are available for public use with an acknowledgement to www.hamsheregallery.com. SIMILAR REQUIRED.

67 ) Girl with Löwchen / Little Lion Dog by Wilhelm Richter (Austrian, 1824-1892)
An oil on canvas of a young girl seated with her pampered Löwchen / Little Lion Dog by Wilhelm Richter (Austrian, 1824-1892). Signed and dated “Richter 1873”. Austrian 1873.

68 ) Scottish Terrier dry-point etching "The Black Watch", by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "The Black Watch", of four Scottish Terriers standing guard on the front door steps by Marguerite Kirmse (English, 1885 -1954). Published November 1922. In pencil, titled bottom left "The Black Watch” and signed bottom right "Marguerite Kirmse". Interestingly not titled in the margin “The Black Watch” as was the artist’s usual practice, suggesting an artist’s proof. Torn label to the reverse bears “190 E. Colorado St, Pasadena” American, 1922.

69 ) Scottish Terrier watercolour by Marguerite Kirmse (English, 1885 -1954)
A watercolour of a Scottish Terrier seated in a flowering grassland by Marguerite Kirmse (English, 1885 -1954). The stunningly observed dog wears a leather collar and silver circular tag. Indistinctly monogramed “MH”. The reverse bears scarcely decipherable pencil inscription “Mrs Woods 3472 ½ girl Gland Haig”. A framer’s label reads “FREDDIE SCHNEIDER PICTURE FRAMES 1338 3RD AVENUE (Between 76th & 77th Streets) NEW YORK , N.Y. 10021 LE 5 – 0160”

70 ) 1936 Scottish Deerhound print by George Vernon Stokes RA (English, 1873-1954)
A print of a line drawing of a pair of Scottish Deerhounds by George Vernon Stokes RA (English, 1873-1954). Published in 1936, “In Praise of Dogs, an Anthology in Prose and Verse" by C. M. Harnett, illustrated by Stokes. The reverse bears gallery label ‘Laurence Oxley Alredford, Hampshire’. English, circa 1936.

71 ) A 19th century watercolour of a Welsh Springer Spaniel and black partridge by Charles Edward Britan Snr (English, 1837-1888)
A watercolour on paper of a Welsh Springer Spaniel standing next to a black partridge, possibly on Exmoor, by Charles Edward Britan (English, 1837-1888). Signed bottom right “C.E Brittan”. English, circa 1870

72 ) An 18th century Italian miniaiture watercolour of a Blenhien King Charles Cavalier type Spaniel by Gaetana Leoni
An Italian miniaiture in watercolour of a Blenhien type Spaniel in parkland setting with mountains in the distance by Gaetana Leoni. Signed bottom right “Gaetana Leoni facie” and dated 1776. This is most likely a study for a micro mosaic. Italian 1776.

73 ) Pug pastel by Marion Rodger Hamilton Harvey (Scottish, 1886 -1971)
A pastel of a black Pug in a green collar seated by an antique Chinese porcelain Dog of Fo / Liob Dog by Marion Rodger Hamilton Harvey (Scottish, 1886 -1971). Signed bottom left “Marion Harvey”. Scottish, circa 1960’s.

74 ) "Bubbley" Oil of a Bichon by Horatio Henry Couldery (English, 1832 - 1893)
An oil on canvas of a seated Bichon by Horatio Henry Couldery (English, 1832 - 1893). Titled "Bubbley" on the frame and monogrammed bottom left 'HC', on the canvas. English, circa 1875.

75 ) Circa 1920 ‘L’isle Adam’ terracotta Briard by Henry Pétrilly
A large ‘L’isle Adam’ terracotta of a seated Briard by Henry Pétrilly. Bears plaque “CHIEN BRIARD par Pétrilly (Récompense au Salon)”. It was the artist’s Paris Salons des Artistes Français exhibit, for which he won an award. French, circa 1920.