76 ) Magnificent pair of enamel and soft paste Sèvres/Sevres porcelain hunting vases
A magnificent pair of early 19th century, Sèvres, enamel and soft paste porcelain hunting vases. The bases with seated Borzoi and Foxhounds in soft paste porcelain, the bodies polychromed with horseback and dog hunting scenes in tree adorned landscape. Stag and boar heads in soft paste porcelain applied to distinctive 'bleu celeste' border. Marked to the base with the Sèvres 'intertwined' double 'L', inset with an ‘M’, and the painter’s mark ‘277’. French, circa 1830.

77 ) Circa 1900, J.P Kayser & Sohn AG, (1862-1925) silver plate sculpture of a Newfoundland
Circa 1900, J.P Kayser & Sohn AG (1862-1925) silver plate sculpture of a recumbent Newfoundland. German, 1900.

78 ) A late 19th century, French, pair of ormolu bronze Setter candlesticks
A pair of late 19th century, French, ormolu bronze Setter candlesticks. With fluted Corinthian columns, but with capitals set with Setter heads, sitting on oak leaf bases and three lion’s claw paws. With acanthus leaf design sconces. French, circa 1880.

79 ) A pair of Setter bronze candlesticks by Jules Moigniez (French, 1835-1894)
A pair of bronze candlesticks, the stems decorated with Setter dog heads and bases with running dogs by frieze by Jules Moigniez (French, 1835-1894). Signed at the base “J Moigniez”. French, circa 1880.

80 ) Bronze and porcelain West Highland Terrier candlesticks by William Brownfield (English, 1812-1873)
A pair of bronze and porcelain West Highland Terrier by William Brownfield (English, 1812-1873). The dogs seated on tasseled cushions in white paste porcelain each hold a pair of scones. These West Highland Terrier are of the type in Sir Edwin Landseer famous painting of Scratch in his 1839 painting "Dignity and Impudence". That West Highland Terrier was owned by Jacob Bell. English, circa 1850’s.

81 ) Gorham foundry standing Scottish Terrier bronze after Marguerite Kirmse (English, 1885-1954)
A standing Scottish Terrier cast in bronze by The Gorham Company of Providence, RI. after Marguerite Kirmse (English, 1885-1954). One of a series of four Scottish Terrier bronzes in different poses, produced circa 1930. Inscribed on the rear foot "OHYJ".

82 ) A 1920’s terracotta sculpture of a Briard by H. Pérrilly for “L'Isle Adam”
A 1920’s near life size terracotta sculpture of a seated Briard by H. Pétrilly. The “L'Isle Adam” workshops. Bears plaque and cachet of “L'Isle Adam”. French, circa 1920.

83 ) Bronze of a seated Tibetan Spaniel

84 ) A 19th century bronze and ormolu, French, Mastiff / Dogue de Bordeaux / Bordeaux Mastiff "chenet" fireplace fender
A pair 19th century, Epoque Louis Philippe, bronze and ormolu French chenet fireplace fender. Each end is mounted with a finely cast recumbent Mastiff / Dogue de Bordeaux / Bordeaux Mastiff / French Mastiff. French, circa 1840.

85 ) A circa 1900 silver metal Setter bottle stop
A circa 1900 silver metal bottle stop depicting a Setter’s head beneath a branch of acorn leaves. German, circa 1900.

86 ) 19th century bronze boar by Alfred Dubucand (French, 1828 – 1894).
A fine 19th century bronze boar standing in long grass by Alfred Dubucand (French, 1828 – 1894). Signed “DUBUCAND”. French, circa 1880.

87 ) Late 19th, French bronze and ormolu pair of elephant candelabra / candlesticks
A pair of late French candelabra / candlesticks of kneeling elephants on ormolu bamboo stands, holding leaf decorated sconces with internal drip trays. French, circa 1880.

88 ) A magnificent and rare pair of large Louis XVI style gilt and bronze 'Ryhton' form cornucopia boar chenets / firedogs after Alexandre-Théodore Brongniart (French, 1739 –1813)
A magnificent and rare pair of large Louis XVI (1754 –1793) style chenets / firedogs in gilt and bronze. The chenets depict 'Ryhton' form cornucopia with fruiting swags that wrap and fall at the back, and a boar's heads resting on bronze plinths, with a gilt frieze. After architect Alexandre-Théodore Brongniart (French, 1739 –1813), whose son Alexandre Brongniart became a respected director of the Louvre. The Louvre has a pair of Sevres/Sèvres vases by Alexandre-Théodore Brongniart of similar form and shape, said to be the most astonishing pieces created in Sèvres during the First Empire. Brongniart derived the shapes from ancient Rhyton drinking vessels. The ‘Ryhton’ form originates from the ancient Greeks, a conical horn shape, typically formed into the shape of an animal's head. French, circa 1860.

89 ) A pair of 19th century French, 'Ryhton' form cornucopia opaline vases mounted into ormolu bronze boars
A pair of 19th century, French 'Ryhton' form cornucopia opaline glass vases, mounted into ormolu bronze boar’s heads, upon rectangular black marble bases. Each opaline vase is profusely decorated with gilt and polychrome oriental birds, foliage and flowers. Clearly inspired by the architect Alexandre-Théodore Brongniart's (French, 1739 –1813) ‘cornet’ Sevres vases with boars, which are now on display in the Louvre. Brongniart derived the shapes from ancient Rhyton drinking vessels; the ‘Rhyton’ form originates from the ancient Greeks, and forms s conical horn shape, typically formed in the shape of an animal's head. French, circa 1870.

90 ) A French 19th century bronze and ormolu Greyhound / Levrier chenet fireplace fender
A French 19th century bronze and ormolu chenet fireplace fender. Each end is mounted with Greyhounds / Levriers seated on pedestals in the form of ormolu tasselled cushions. The fenders display Gothic decoration. French, circa 1900.

91 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

92 ) A 19th century cast iron and brass boar fireplace fender
A 19th century polished cast iron, adjustable fireplace fender. Each end is mounted with a seated boar. The boars are modelled on “Il Porcellino”, the famous boar in the bronze fountain in Florence. The frieze displays a pierced and scrolled cast decoration, a central motif of oak leaves and a number of vines and grapes applied in brass. French, circa 1880.

93 ) A Victorian Setter cast iron stick stand
A tall, painted, antique cast iron stick stand with oak twig and leaf decoration and two holders, above a seated Setter. The stand has removable semi-circular drip tray stamped 'C.G.F.' The model was popularised by Coalbrookdal. English.

94 ) A pair of 19th century French, ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases
A pair of 19th century French ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases. Each vase features hexagon cut glass issuing from a ormolu ram's head, on a white marble rectangular base. French circa 1850.

95 ) A 19th century cast brass and bronze Maltese fireplace fender / chenets , modelled on "Ninette".
A 19th century polished brass and bronze Maltese extendable fireplace fender / chenets. Each end mounted with seated ormolu bronze Maltese dogs. The sculpted dogs are modelled on "Ninette", a work for Pierre-Jacques-Onésyme Bergeret de Grandcourt from the end of the 18th century.

96 ) A bronze Otterhound head formed as a fountain
A bronze Otterhound head formed as a fountain

97 ) 1960's silver plated boar's head glass pitcher Jug by Valenti
A large spherical glass pitcher jug with a silver plated boar’s head. The head with glass inlaid eyes. Marked Valenti. Spanish, circa 1960.

98 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

99 ) 19th century French bronze doré boar inkwell
A 19th century French bronze doré boar inkwell set on a black marble veined pin tray. The boar with inlaid eyes.

100 ) A Barr Flight & Barr Worcester inkwell set depicting a Spaniel / Setter
A Barr Flight & Barr Worcester lidded single inkwell set depicting a recumbent red and white Spaniel / Setter. With marbled veined finish and mercurie oxide gilt decoration, imitating Italian scagliola marble, the inkwell provides for two quills and a central candle. The scagliola finishes were popular by the maker from around 1800 to 1820. The painting of the Spaniel / Setter is possibly by Enoch Doe (English, ca. 1785 - fl. 1851). On the base the hand written script marks read, beneath a crown, “Barr Flight & Barr Worcester manufactured to their majesties Prince of Wales & Royal Family”. This is considered to be the most elaborate of Flight and Barr porcelain marks. Together with the maker’s mark, in the same hand. Then incised ‘173’. English, circa 1815.