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1 )
Chinese courtesan of the Imperial Court reverse glass painting of courtesan of with a Pekingese Reverse glass painting of a Chinese courtesan of the Imperial Court holding a Pekingese.
Pekingese were Palace dogs for the sole enjoyment and preserve of the Emperor, and with his blessing, his family members, his wives, concubines and favoured eunuchs. For the strictest seclusion of the Court, their removal from the Palace precincts was strictly forbidden. Reverse glass paintings were the preserve of Imperial patronage, but also exported and keenly sought for English country house collections in the 18th century.
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Paintings |
Pekingese |
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10 )
Chinese courtesan of the Imperial Court reverse glass painting of courtesan of with a Pekingese Reverse glass ‘export’ painting of a Chinese courtesan of the Imperial Court holding a Pekingese.
Pekingese were Palace dogs for the sole enjoyment and preserve of the Emperor, and with his blessing, his family members, his wives, concubines and favoured eunuchs. For the strictest seclusion of the Court, their removal from the Palace precincts was strictly forbidden. Reverse glass paintings were the preserve of Imperial patronage, but also exported and keenly sought for English country house collections in the 18th century.
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Paintings |
Pekingese |
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12 )
A Pekingese dog by Charles Vyse (English 1882-1971) A rare Charles Vyse model of a Pekingese dog, modelled seated, covered in a tenmoku brown glaze Incised Charles Vyse Chelsea to base, 17cm. wide.
Provenance
The Harriman Judd Collection of British Art Pottery Sotheby's New York,
Literature
Terence Cartlidge Charles & Nell Vyse Richard Dennis & Ed Pascoe, page 50 this model illustrated.
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Paintings |
Pekingese |
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19 )
"Rosalie", Pekingese, photogravure by Maud Alice Earl (English, 1864-1943) "Rosalie", Pekingese, before a door, photogravure by Maud Alice Earl (English, 1864-1943). This artist's proof is signed in pencil, bottom left, Maud Earl. Lettered top right Published on December 1st, 1913, by The Berlin Photographic Company Berlin “ London W 149 New Bond Street “ New York 305 Madison Avenue. It is from the "Whose Dog Art Thou?" portfolio, of nine photogravures, with quotations from Omar Khayyam, and an introduction by Samuel Levy Bensusan. published the same, 1913. English, 1913.
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Paintings |
Pekingese |
Artist: Maud Earl |
Yr: 1913 |
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