26 ) A 19th century Versailles / Medici shaped Vase Sarreguemines Majolica boar head vase
A 19th century Versailles / Medici shaped Vase Sarreguemines Majolica boar head vase. The heads surround by oak leaves and acorns, the vase similarly decorated with oak leaves and acorns and the interior of the vase is of sky blue colour typical of the production of the Sarreguemines factory at this time. It bears the Sarreguemines Majolica mark and “909” hollow under cover. In “Guide de l'amateur des faïences de Sarreguemines” by Emile Decker and Christian Thevenin, number 909 is the ‘Versailles Vase’ French, circa 1886

27 ) Rare mid-19th Anglo- Indian hardwood dog / cat bed
A very rare mid-19th century ‘Raj period’ intricately and ornately carved Anglo-Indian rosewood dog / cat bed. With elaborate and profuse pierced, geometric and leaf decoration, on scrolled legs. Anglo-Indian, circa 1860.

28 ) 19th century, French bronze doré hunting / ‘chasse’ boar stag / sanglier cerf wall sconces / ‘appliques’after Jean Joseph de Saint-Germain (French 1719-1791)
A pair of late 19th century bronze and bronze doré hunting / ‘chasse’ wall sconces / ‘appliques’, after the éminent 18th century master founder Jean Joseph de Saint-Germain (French, 1719-1791). Both draped oak leaves and acorns, the two arms similarly decorated. One depicts a boar’s / sanglier head, the other a stag / cerf. French, circa 1880.

29 ) 19th century English, Minton Majolica lotus and lion jardiniere
A 19th century, English, ovoid, Minton Majolica jardiniere decorated with lotus leaves, flowers and buds, with lion’s head handles. Complete with original undertray, similarly decorated. Signed and dated 1872. English, circa 1870. Provenance The James F. Scott Collection Sotheby's New York, March 11, 1997, lot 344

30 ) 19th century English, square Minton Majolica cobalt and Shi Shi jardiniere
19th century, English, Minton Majolica square shaped jardiniere, in cobalt blue with Shi Shi playing ball amongst white relief peony decoration. English, circa 1870

31 ) 20th century white faïence / terracotta boar tureen by Jean-Paul Gourdon, (French, b. April 1956)
A 20th century white faïence / terracotta recumbent boar tureen by Jean-Paul Gourdon, (French, b. April 1956) from Puymiclan, Marmandais. The boar sits on a bed of oak leaves and acorn, boar images around the side.

32 ) 20th century Fox mask door knocker
20th century Fox mask door knocker

33 ) 19th century, French, Persian influence, elephant handled earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie héodo
A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant mask handled jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880.

34 ) Large silver boar stirrup cup by Karl Kurz Silberwarenfabrik of Kesselstadt
A large and fine Hanau silver stirrup cup by Karl Kurz Silberwarenfabrik of Kesselstadt. Assayed with the Karl Kurz mark for ‘925’ silver and marked ‘925’. Circa 1870 This a SOLD item and has been left in the Public Domain for research purposes.

35 ) Kayserzinn boar platter / plaque probably by Hugo Leven (German, 1874-1956) for J.P. Kayser & Sohn AG
An oval Kayserzinn platter / plaque depicting a running boar probably by Hugo Leven (German, 1874-1956) for J.P. Kayser & Sohn AG. The edge decorated in pine cones and needles, Model number 4344. Marked to the back “Kayserzinn 4344”. German, circa 1900.

36 ) A pair of Art Deco silver plated and glass boar wine coolers
A pair of Art Deco silver plated and glass wine coolers with handles in the form of a boar’s head. Marked to the base “NVM”

37 ) A circa 1900 French Majolica earthenware boar jardinière
A circa 1900 French Majolica earthenware jardinière sculpture of a boar seated beside a pool of reeds and bulrushes. Possibly Sarreguemines majolica. Marked to the base “4044”. French, circa 1905.

38 ) “les Biches”, Fallow Deer pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour drawing on paper of various studies of “Les Biches”, Fallow Deer by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same hounds as found in the later Hermes commissioned silk “Les Biches” 1958 scarf range that came in different colourways.

39 ) “Écureuils”, Red Squirrel pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour on paper of various studies of “Écureuils”, Red Squirrels by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same Squirrels as found in the later Hermes commissioned silk “Pekinois” 1967 scarf range that came in different colourways.

40 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.

41 ) A set of four Gucci silver plated boar’s head stirrup cups
A set of four Gucci silver plated boar’s head stirrup cups. Marked “Gucci Italy”. Italian, circa 1970.

42 ) The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867)
An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.

43 ) A pair of snow scene carriage / coaching / four-in- hand oils by Henry Thomas Alken Snr. (English, 1785 – 1851)
A pair of oils depicting Royal Mail coaches in snowy landscapes by Henry Thomas Alken Snr. (English, 1785 – 1851). The fully-laden coaches wear the correct Royal Mail livery, black with red doors and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.

44 ) Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

45 ) Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

46 ) An Art Nouveau stylised Borogove / boar jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton
An Art Nouveau stylised Borogove / boar stylised designed jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton Lambeth Ware. Glazed green, blue and ochre on a mushroom ground. Artist’s monogram “MVM” and factory mark to the base. English, circa 1881.

47 ) Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece
A grand Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece, comprising epergne, a pair three-light candelabra, a pair of compotes, and pair of vases, each with three recumbent camels to the base, all on a five-piece rectangular mirror plateau. English, circa 1900.

48 ) A French 19th century set of six silver boar salts
A French 19th century set of six silver boar salts, of oval form with boar’s heads either end. Two bearing retailers marks of McAuliffe & Hadley (Boston), and two marked Rand & Crane (Boston).

49 ) A silver plate Rhyton form boar vase After Gabriella Crespi (Italian, 1922 – 2017) for Christian Dior
A silver plate Rhyton form boar vase After Gabriella Crespi (Italian, 1922 – 2017) for Christian Dior. From the early 1960’s her objects were commissioned by Dior for the gifts department, home decor and dining.

50 ) “What if it is raining” Christmas card design by Christopher Gifford Ambler (English, 1886-1965)
“What if it is raining 24th Inf. Brigade, B.E.F Greeting Xmas 1915” Christmas card design by Christopher Gifford Ambler (English, 1886-1965). The image shows soldiers of the 24th Infantry Brigade standing in the rain and waterlogged trenches. Signed in pencil “Chris Ambler”. English, 1915.