26 ) 9 ct gold bar brooch of a standing Scottish Terrier
A 9 carat gold bar brooch of a standing Scottish Terrier. Marked to the bar 'JG & S 9ct' , being the mark of the Birmingham gold makers John Goode & Sons English circa 1915

27 ) Footstool with needlepoint of a Scottish Terrier
A mahogany footstall with a needlepoint textile of a standing Scottish Terrier.

28 ) Scottish Terrier puppy dry-point etching by Karl Albrecht Buschmaum (German, 1885 - c1953)
An early 20th century signed artist proof dry-point etching of a seated Scottish Terrier puppy by Karl Albrecht Buschmaum (German, 1885 - c1953). Signed bottom right in pencil. German "K A Buschmaum", circa 1915.

29 ) Scottish Terrier oil by Lillian Cheviot (English, fl 1894-1920) published by Arthur Ackermann in 1916
An oil of a pair of seated Scottish Terriers by Lillian Cheviot (English, fl 1894-1920). Such a pair of Scottish Terriers were the models used in a series of lithograph published by Arthur Ackermann Ltd, of 157a, New Bond St, London. English circa 1915

30 ) Scottish Terriers by Lillian Cheviot (fl 1894-1920) published by Arthur Ackermann in 1916
Coloured lithograph on paper of Scottish Terriers by Lillian Cheviot(fl 1894-1920) published by Arthur Ackermann in 1916. This is one of several 'World War I' patriotic works by Arthur Ackermann signed "Lillian Cheviot" (fl 1894-1920).

31 ) Scottish Terrier lithograph by Lillian Cheviot (English, fl 1894-1920) published by Arthur Ackermann in 1916
A signed artist proof coloured lithograph of two Scottish Terriers on heather planted cliff by Lillian Cheviot(English, fl 1894-1920) published by Arthur Ackermann in 1916. This is one of several “World War I” patriotic works by Cheviot published by Arthur Ackermann. Signed in pencil bottom left "Lillian Cheviot", with blind stamp “Fine Art * TOJ* A Trade Guild”. Lettered top right "Copyright-Published May 20th, 1916, by Arthur Ackermann & Son, Ltd, 157a, New Bond St, London, W."

32 ) Scottish Terrier Art Deco diamond and platinum brooch.
Art Deco diamond and platinum brooch depicting a Scottish Terrier worked in enamel and wearing a calibre cut ruby platinum set collar. Pave, pierced arrow design and ruby and enamel details. French, circa 1920

33 ) Reverse intaglio crystal Abercrombie & Fitch Scottish Terrier gold watch.
Scottish Terrier reverse intaglio gold watch/bracelet, marked "14k". Watch face marked " Abercrombie & Fitch, New York". America, circa 1920.

34 ) Watercolour on paper of Scottish Terriers by Margaret Law (English, 1905-1983)
Ink and watercolour on paper of Scottish Terriers by "M Law". Signed in pencil "M Law", further titled "Laurieston Loyal" "Harlothian Locket". Circa 1930 Dog World 12.8.10 by Nick Walters The two Scotties in this picture are Laurieston Loyal and Harlothian Locket (late Lonkley Locket), both owned by R C K Thomson (Harlothian) of Wakefield. Loyal was born in 1927, bred by A Kyle and was by Laurieston Lorehart ex the unregistered Flora. He was owned by W Davidson (Laurieston) before being transferred to Thomson. Lorehart was by Ch Laurieston Leaper, CC winner at Crufts in 1924, who in turn was by Laurieston Lauchie, a son of Ch Bobby Burcott. Locket who was born in 1929 was by the great stud dog of the day, Ch Heather Necessity ex Lonkley Leal and was bred by Mr and Mrs W N Walton. Leal was by Ch Merlewood Aristocrat, a son of Laurieston Lauchie. Necessity was owned by Robert Chapman and quickly became a champion, ending up with 15 CCs at the time − a breed record. He was never beaten in the ring by one of his own breed and had the distinction of winning BIS all-breeds on three occasions, including Crufts in 1929, where he took his third CC, and reserve the following year. Dorothy Casperz (The Popular Scottish Terrier 1956) described the dog as "a history maker ... practically revolutionised the breed." He was used at stud extensively and sired 18 champion children. Loyal and Locket had far less distinguished careers, nevertheless, someone loved them enough to have their portraits painted. The best Loyal managed was a succession of seconds in limit dog classes, including Crufts in 1930 and Locket a third in limit dog at Sheffield and District Kennel Association championship show in 1930.

35 ) Aquatint etching on paper of seated Scottish Terrier and Sealyham Terrier puppies by Kurt Meyer-Eberhardt (German 1895-1977)
Bears the mark of the Hanfstaengl Fine Arts Publishing House. Signed in pencil "Eberhardt". Circa 1920

36 ) Newark school Gold, pearl and enamel Scottish Terrier brooch
Newark school Gold, pearl and enamel Scottish Terrier brooch Assayed 14 carat and stamped with the mark of the Newark group

37 ) Watercolour on paper of a seated black and white Scottish Terrier by Christopher Gifford Ambler (English, 1886-1965).
A Watercolour with white heightening on board of a seated black and white Scottish Terrier by Christopher Gifford Ambler (English, 1886-1965). Signed bottom right “C Ambler” English,circa 1920’s. To the reverse the artist has written possible titles in ink “Patience” or “Ye’ll no be much longer?”, or “Not guilty, Miss us” and in pencil Isn’t Love Wonderful” suggesting the work was published. A “Marble Hill Gallery 72 Richmond Road Twickenham Middx” label to the reverse reads “C Ambler. The Two Friends, pencil and coloured mashes, heightened with white. Lived in Buckhurst Hill Esses , Exhibited two works at the Royal Academy between 1912-1914.” With stock number “P926ms”.

38 ) Art Deco régule Scottish Terrier bookends, French circa 1920
A pair of Art Deco, French 1920's régule bookends of seated Scottish Terriers seated on black veined marble bases.

39 ) 1920's paste silver set Scottish Terrier brooch
A beautifully made 1920's paste silver set Standing Scottish Terrier brooch. The dog's collar and eye inlaid simulating rubies. The reverse mark "STERLING SILVER". French, circa 1920's.

40 ) Early 20th century silver gilt Scottish Terrier brooch
A small and very finely detailed silver gilt brooch of a standing Scottish Terrier. Stamped on the reverse “SILVER”. English circa 1920’s.

41 ) "Forgotten" Scottish Terrier etching by Herbert Thomas Dicksee RE (English, 1862 - 1942)
An etching on vellum by Herbert Thomas Dicksee RE (English, 1862 - 1942) of a seated and expectant Scottish Terrier. The etching known as "Forgotten" was published by Frost & Reed in 1922, and is one of the rare artists proofs on vellum, signed in pencil "Herbert Dicksee".

42 ) Scottish Terrier dry-point etching "The Black Watch", by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "The Black Watch", of four Scottish Terriers standing guard on the front door steps by Marguerite Kirmse (English, 1885 -1954). Published November 1922. In pencil, titled bottom left "The Black Watch” and signed bottom right "Marguerite Kirmse". Interestingly not titled in the margin “The Black Watch” as was the artist’s usual practice, suggesting an artist’s proof. Torn label to the reverse bears “190 E. Colorado St, Pasadena” American, 1922.

43 ) Scottish Terrier dry-point etching "The Upstart" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "The Upstart" of two Scottish Terrier puppies surmounting an outside stairway by Marguerite Kirmse (English, 1885 -1954). Published November 1923. American. In pencil, titled bottom left "The Upstart" and signed bottom right "Marguerite Kirmse". The image further appeared in "Dogs" by the artist, with an introduction by R. T Townsend published in 1930, by the Derrydale Press. Here Kirmse writes "This dry point was inspired by two of my Scotty Puppies. I watched them for a long time and each time the little fellow below almost gained the third step, the one above seemed to have supreme satisfaction in pushing him down again."

44 ) Scottish Terrier dry-point etching "Innocents Abroad" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching of six Scottish Terrier puppies following their mother along the garden path, by Marguerite Kirmse (English, 1885 -1954). Titled in pencil bottom left "Innocents Abroad" and "(1st edition 2nd state)" and signed bottom right "Marguerite Kirmse". The etching bears the copyright mark bottom right "M K". Published in May, 1924. The image was also published in 1930 by the Derrydale Press, New York in "Marguerite Kirmse's Dogs" " Introduction by R T Townsend", editor of Countrylife. This is rare artist's proof, Kirmse approving the 1st edition of the 2nd state of "Innocents Abroad". Note in other signed editions of this etching Kirmse titles the work "The Innocents Abroad".

45 ) Scottish Terrier clip/ pin
Scottish Terrier head carved in pure translucent agate. With platinum mille-grain set rose cut diamond eyes. Gold mounted as clip. Assayed with the horses'head (left facing), being the Austrian 14 carat gold mark used after 1925 Two further marks 'H & F' the other illegible. Austrian, late 1920's. Possibly retailed by Koch, Vienna's most famous jeweller and jeweller to the Hapsburgs.

46 ) Scottish Terrier by Marion Rodger Hamilton Harvey (1886-1971)
Etching on paper of a seated Scottish Terrier playing with a ball of wool. Signed in the margin "Marion Harvey". Scottish circa 1925.

47 ) Scottish Terriers, "When Do we Eat?", by Morgan Dennis (American, 1892-1960)
Dry point etching on paper of two seated Scottish Terriers, by Morgan Dennis (American, 1892 - 1960). Signed in the margin in pencil "Morgan Dennis" and titled on the mount "When Do we Eat ?". The image was also used in a Texaco Motor Oil advertisement with the caption "Listen! To the improvement in your engine". The "Texaco Company bought the copyright and distributed complimentary copies of "Listen" through "The Texaco Exhibit, Central Pier, 1400 Broadwalk, Atlantic City". Sculptures titled "Listen" were also produced.

48 ) Scottish Terrier, "Looks Just Like Me", by Morgan Dennis (American, 1892-1960) SOLD
Etching on paper of a seated Scottish Terrier admiring his portrait, by Morgan Dennis (American, 1892 - 1960). Signed in the margin in pencil "Morgan Dennis" and titled on the mount "Looks Just Like Me". American circa 1925.

49 ) Aquatint etching on paper of a pair of young black and white Scottish Terriers by Meta Pluckebaum (1876-1954)
Signed in pencil "Meta Pluckebaum" and titled "Black and White". German, circa 1925

50 ) Dry-point etching "Baby Heath" Scottish Terrier by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching "Baby Heath" a seated Scottish Terrier by Marguerite Kirmse (English, 1885 -1954). Published November 1925, titled and signed in pencil "Baby Heath" "Marguerite Kirmse".