26 ) Bronze Pekingese by Gertrude Katherine Lathrop (American, 1896–1986)
Bronze of a recumbent Pekingese by Gertrude Katherine Lathrop (American, 1896–1986). Signed on the base, “G.K. Lathrop”. American, circa 1920.

27 ) An early 20th century Pekinese bronze by Gertrude Katherine Lathrop (American, 1896-1986)
A magnificent, rare and large early 20th century, circa 1925, Art Deco bronze of a recumbent Pekinese by Gertrude Katherine Lathrop (American, 1896-1986). Signed to the base “G. K. LATHROP”.

28 ) Oil painting of a Pekingese by Mrs E. Marion Nelson (ex1890-1930).
Oil on canvas titled 'Tokie'.

29 ) Pekingese watercolour by Xavier de Poret (French, 1894 - 1975)
A watercolour and pastel of a Pekingese recumbent in a cabriolet legged drawing room chair by Xavier de Poret (French, 1894 - 1975). Signed bottom right “Xavier de Poret”. French, circa 1950’s. No doubt the same Pekingese as found in the later Hermes commissioned silk “Pekinois” 1965 scarf range that came in two colour variants.

30 ) Pekingese watercolour by Xavier de Poret (French, 1894 - 1975)
A watercolour and pastel of a Pekingese standing on the arm of a sofa by Xavier de Poret (French, 1894 - 1975). Signed bottom right “Xavier de Poret”, and dated “1951”. French, 1951. No doubt the same Pekingese as found in the later Hermes commissioned silk “Pekinois” 1965 scarf range that came in two colour variants.

31 ) “Pekinois”, lithograph of Pekingese after Xavier de Poret (French, 1894 - 1975)
An artist’s proof limited edition lithograph of just, after Xavier de Poret (French, 1894 - 1975). Signed in pencil bottom right “Xavier d’Poret”.

32 ) Hermes silk scarf depicting "Pékinois" Pekinese after Xavier de Poret (French, 1894 - 1975)
Silk "Hermes – Paris” scarf, in pink colourway, designed by Xavier de Poret (French, 1894 - 1975), first issued circa 1951, titled bottom centre "Pékinois" Pekinese. Imprinted bottom right "X d Poret" and bottom right "Hermes-Paris"

33 ) Pekingese by Frank Prosser (Early 20th Century)
Pekingese, pastel on paper by Frank Prosser. English, circa 1915.

34 ) The Pekingese seated, ‘Duskee of Tzumiao’ by Miss Maud M Turner (English, 1862 - 1947)
An oil on canvas board of a seated Pekingese ‘Duskee of Tzumiao’ by Miss Maud M Turner (English, 1862 - 1947). Titled “Duskee” and signed bottom right “Maud Turner”. ‘Duskee of Tzumiao’ was from the famous Pekingese kennels of Mrs Elsie Gilbert's of Seven Pines, Virginia Water, Surrey. The dog sired ‘Tiny Wee of Homer’. The reverse bears framers label “THE TOWN HOUSE STUDIO HIGH STREET ESHER SURREY. English, circa 1940

35 ) The Pekingese standing, Duskee of Tzumiao by Miss Maud M Turner (English, 1862 - 1947)
An oil on canvas board of standing Pekingese Duskee of Tzumiao by Miss Maud M Turner (English, 1862 - 1947). Titled Duskee and signed bottom right Maud Turner. Duskee of Tzumiao was from the famous Pekingese kennels of Mrs Elsie Gilbert's of Seven Pines, Virginia Water, Surrey. The dog sired Tiny Wee of Homer. The reverse bears framers label THE TOWN HOUSE STUDIO HIGH STREET ESHER SURREY. English, circa 1940

36 ) Pekingese oil by Tom Heywood (English, exh 1882 - 1913) SOLD
Oil on canvas of a Pekingese recumbent on a luxurious red velvet cushion by By Tom Heywood (English, exh 1882 - 1913). Signed top right in red "T Heywood" and dated. English, circa 1880

37 ) Pekingese Seated Inkwell. SOLD
A Pekingese seated beside an inkwell. Both worked in spelter, upon a marble base. French, circa 1920.

38 ) Pekingese Brooch
Pekingese costume brooch, with red glass eyes.

39 ) Oil on canvas of five Pekingese, monogrammed "HL" and dated "07"
An oil of five Pekingese. Likely to be painted for likes of such aristocracy and Pekingese fanciers as Lady Algernon Gordon Lennox rather than say the famous breeder Mrs Ashton Cross. The rarity of the lovely black Pekingese at this time makes this especially historic. English 1907

40 ) Chinese courtesan of the Imperial Court reverse glass painting of courtesan of with a Pekingese
Reverse glass painting of a Chinese courtesan of the Imperial Court holding a Pekingese. Pekingese were Palace dogs for the sole enjoyment and preserve of the Emperor, and with his blessing, his family members, his wives, concubines and favoured eunuchs. For the strictest seclusion of the Court, their removal from the Palace precincts was strictly forbidden. Reverse glass paintings were the preserve of Imperial patronage, but also exported and keenly sought for English country house collections in the 18th century.

41 ) Enamel Kenart brooch of a standing Pekingese
Enamel on copper brooch of a standing Pekingese, made by the Manchester firm of Kenart, they were introduced at Crufts circa 1923 and the company stopped making them in the 1970s. Stamped to the reverse "Kenart". English, circa 1930.

42 ) Pekingese etching by George Vernon Stokes RA (English, 1873-1954)
Pekingese coloured dry-point etching by George Vernon Stokes, RA (English, 1873-1954). Coloured dry-point limited edition of 75, signed in pencil in the margin, “G Vernon Stokes”. English, circa 1930.

43 ) A Victorian diamond Pekingese brooch
A Victorian diamond brooch of a standing Pekingese, silver set with old cut diamonds, gold backed and cabochon cut ruby eyes.

44 ) Pekingese oil by Tadeusz Styka (French/Polish, 1889-1954)
An oil on canvas of a Pekingese being held by its owner by Tadeusz Styka (French/Polish, 1889-1954). Signed bottom left 'Tade.Styka'. It has been suggested that the hands in this painting are those of the former owner, Anna Eugenia La Chapelle Clark. Her husband William Andrews Clark (1839-1925), was painted by Tadeusz Styka, (see Christie's New York, Sale 3479, "An American Dynasty: The Clark Family Treasures", on 18 JUNE 2014, LOT 6 AND 7). The Clark's were prominent American collectors of a vast array artworks, from Antiquities to Impressionism; they had a particular fascination for 19th century French painting. William Clark bequeathed his collection of over 800 artworks to the Corcoran Gallery of Art in Washington D.C. Polish, 1926 Provenance: William Andrews Clark and Anna Eugenia Clark Thence by descent to Huguette Clark Exhibition History: Lodz, Poland, Miejska Galerja Sztuki, 1926

45 ) A set of double sided 18ct gold and enamel octagonal chain link cufflinks of miniature in enamel of Pekingese heads.
A set of double sided 18ct gold and enamel octagonal chain link cufflinks of miniature in enamel of Pekingese heads. Marked "18Cá¹®", and "J.W", probably James Walker. These are early images of the breed in Great Britain and are an interesting historical record of the breed. English, circa 1900.

46 ) An early 20th century 9 carat gold Pekingese bar brooch
A 9 carat bar brooch of a standing Pekingese. English, circa 1915

47 ) Chinese courtesan of the Imperial Court reverse glass painting of courtesan of with a Pekingese
Reverse glass ‘export’ painting of a Chinese courtesan of the Imperial Court holding a Pekingese. Pekingese were Palace dogs for the sole enjoyment and preserve of the Emperor, and with his blessing, his family members, his wives, concubines and favoured eunuchs. For the strictest seclusion of the Court, their removal from the Palace precincts was strictly forbidden. Reverse glass paintings were the preserve of Imperial patronage, but also exported and keenly sought for English country house collections in the 18th century.

48 ) “Dogs of the Imperial Palace”, a 19th century Chinese watercolour of four Pekingese amongst peonies and rocks.
A 19th century Chinese watercolour of four Pekingese playing amongst peonies and rocks. An earlier, Ch’ien Period (1736-1796), can be seen in the collection of the British Museum.

49 ) A Pekingese dog by Charles Vyse (English 1882-1971)
A rare Charles Vyse model of a Pekingese dog, modelled seated, covered in a tenmoku brown glaze Incised Charles Vyse Chelsea to base, 17cm. wide. Provenance The Harriman Judd Collection of British Art Pottery Sotheby's New York, Literature Terence Cartlidge Charles & Nell Vyse Richard Dennis & Ed Pascoe, page 50 this model illustrated.

50 ) A reconstituted stone Pekingese
A reconstituted stone recumbent Pekingese. English, circa 1930.