1 ) Portrait of a Young Girl.
Portrait of a young girl. Oil on canvas by Sir. William Beechy (1753 - 1839). Possibly a portrait of Catherine Oddey (1786 - 1882). SOLD

2 ) Dalmation Painting
SOLD

3 ) 19th century oil on canvas of a girl / boy/ child with bonnet
19th century oil on canvas of a girl / boy/ child with bonnet. SOLD

4 ) 19th century silhouette of Ships
Painting on glass

5 ) 19th century silhouette of Ships
Painting on glass.

6 ) 19th century silhouette of Ships
Painting on glass.

7 ) Young Roe Deer etching by artist Kurt Meyer-Eberhardt (German, 1895 - 1977)
Young Roe Deer etching by artist Kurt Meyer-Eberhardt (German, 1895 - 1977). Etching on paper, signed in pencil "Kert Meyer-Eberhardt", published by Hanfstaengl Munich. SOLD

8 ) Rooster /Cockrell by Charles Jacques (1813-1894)
Rooster /Cockrell by Charles Jacques (1813-1894). Oil on canvas. Signed "CH. Jacques". French, circa 1880.

9 ) Oil on canvas of a Lady by Edouard Bisson (French 1856-1939)
Oil on canvas of a Lady by Edouard Bisson (French 1856-1939). SOLD

10 ) Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle.
Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle. The Durham Ox was born in March 1796 and was bred by Charles Colling of Ketton Hall, Brafferton, near Darlington . In 1801 the ox was sold to John Day of Harmston, near Lincoln. Day renamed it the Durham Ox and had a carriage specially made to transport it, drawn by four horses. For the next five years it toured with him around England and Scotland, exhibited to the public at agricultural fairs and other events. It proved extremely popular. For most of 1802 the Durham Ox was on show in London, For more on the Durham ox See Farm Animal Portraits in Britain 1780-1900, by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

11 ) Oil on canvas of sows in a barn by Thomas Weaver (English, 1774-1843)
Oil on canvas of sows in a barn by Thomas Weaver (English, 1774-1843) Possibly Gloucester Old Spot Pigs. For other examples See Farm Animal Portraits in Britain 1780-1900, by by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club

12 ) Oil on canvas of prize sows in a barn by George Morland (English, 1763-1804)
Oil on canvas of prize sows in a barn by George Morland (English, 1763-1804) Possibly Gloucester Old Spot Pigs. For other examples See Farm Animal Portraits in Britain 1780-1900, by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

13 ) Sailing Scene

14 ) Girl in Red Dress SOLD

15 )

16 ) Child with flowers SOLD

17 ) Coloured print of lions after the painting by William Huggins" (English, 1820-1884)
Large coloured print of lions after the painting by William Huggins(English, 1820-1884) English, mid 19th century

18 ) Watercolour of Wastwater and Great Gable by Reuben Ward Binks (English, 1880-1950)
Watercolour on card of head of Wastwater and Great Gable by Reuben Ward Binks (1880-1950). The head of the Wasdale Valley is surrounded by some of the highest mountains in England, including Scafell Pike, Great Gable and Lingmell. Unsigned. Ward Binks is best known for his canine works but retained a studio in Appleby, Westmorland, where he much time in his beloved Lake District and eventually retired.

19 ) Watercolour of Lake District village by Reuben Ward Binks (English, 1880-1950)
Watercolour of a Lake District village by Reuben Ward Binks (1880-1950). Unsigned. Ward Binks is best known for his canine works but retained a studio in Appleby, Westmorland, where he much time in his beloved Lake District and eventually retired.

20 ) A watercolour of the Queen’s Head, Mortlake by
A watercolour of the Queen’s Head, on the Thames at Mortlake by The Queen’s Head was situated on Mortlake High Street, built on land once forming the Mortlake Tapestry Works from The public house sign “Queen’s Head John Firmston” gives the name of the Licensed Victualler who is recorded with a license from between 1871 to 1878. Another sign reads “Phillips & Wigans Entire Fine Old Ales”. Charles James Philips and James Wigan were the owners of the local Mortlake Brewey since the 1840s, later acquired in 1889 by James Watney & Co. The Queen’s Head closed in the 1940’s.

21 ) Oil on canvas of an oxen
Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle. The Durham Ox was born in March 1796 and was bred by Charles Colling of Ketton Hall, Brafferton, near Darlington . In 1801 the ox was sold to John Day of Harmston, near Lincoln. Day renamed it the Durham Ox and had a carriage specially made to transport it, drawn by four horses. For the next five years it toured with him around England and Scotland, exhibited to the public at agricultural fairs and other events. It proved extremely popular. For most of 1802 the Durham Ox was on show in London. For more on the Durham ox See Farm Animal Portraits in Britain 1780-1900, by by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

22 ) An oil of walled garden and pool scene by Philip Eustace Stretton (1865–1919)
An oil of walled garden and pool scene by Philip Eustace Stretton (1865–1919)

23 ) Gouache and watercolour sketch of cattle / cows by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)
Gouache and watercolour sketch on buff paper of cattle / cows gathered by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)

24 ) A 19th century oil of a standing boy feeding his caged canary
A 19th century oil of a standing boy in an interior feeding his caged canary. Monogrammed bottom left.

25 ) Oil of three pigs / sows by George Morland (English, 1763-1804).
An oil on canvas of pigs / hogs in a barn by George Morland (English, 1763-1804). Signed bottom left “G Morland”.