101 ) An oil of a cocker spaniel by Stanley Marc Wright (American, Vermont, 1911-1996)
An oil of a cocker spaniel by Stanley Marc Wright (American, Vermont, 1911-1996) An oil of a Cocker Spaniel recumbent on a sofa.

102 ) Facsmile of the Misses M.F. & H.M. Loughrey’s Scottish Deerhound, “Champion Tragic of Ross” by Miss Monica F Gray
A facsmile of the Misses M.F. & H.M. Loughrey’s famous Scottish Deerhound “Champion Tragic of Ross” after the highly respected English canine artist Miss Monica F Gray. Titled bottom right “Tragic of Ross” and signed bottom left “Monica Gray”. Tragic one of the most famous Scottish Deerhounds, his pedigree can be found in many of today’s lines. It has been said that Tragic left its mark across the entire strain of Scottish Deerhounds everywhere, with this name appearing on practically every deerhound pedigree. The Ross Kennels and Deerhound fanciers, Misses M.F. & H.M. Loughrey’s of Londonderry, were famous for their Scottish Deerhounds. This was clearly painted when Tragic was just a young dog and before becoming a champion. Bred by Miss G Esmonde, Tragic won 7 Challenge Certificates. Tragic’s pedigree is shown below. English, circa 1925.

103 ) Yorkshire Terrier " Terrier du Yorkshire" by Louis-Eugène Lambert (French, 1825-1900)
Oil on canvas of a recumbent Yorkshire Terrier, "Terrier du Yorkshire". Signed bottom right "L. Eug Lambert". A sketch of this same dog titled "Terrier du Yorkshire" is illustrated in “Les Chiens et Les Chats d'Eugene Lambert" by G. de Cherville published Librairie de l'Art, 1888. French, circa 1885.

104 ) King Charles Spaniel watercolour by Vera Cave (English, fl 1930) after Carl Reichert (Austria, 1836-1918)
A watercolour of head studies of a Ruby, Blenheim, and Black/White King Charles Spaniel by Vera Cave (English, fl 1930) after a work by Carl Reichert (Austria, 1836-1918). Signed bottom right “Vera Cave”. The reverse bears artist’s inscription “ Water – Colour BY Vera Cave 28, Edenvale Ave. Bispham. Blackpool” with further inscription “Painting owned by R Collins”. English, circa 1930.

105 ) Borzoi "Zagor Althea” by Morgan Dennis (American, 1892-1960)
A dry-point etching on paper of a head study of the Borzoi "Zagor Althea”, by Morgan Dennis (American, 1892 - 1960). Titled "Zagor Althea”, dated “1930”, and signed and numbered in the margin "Morgan Dennis 93/100". The revers bears original label “ "Zagor Althea” Original Etching By Morgan Dennis”. American, 1930.

106 ) “Cats”, dry-point etching of a Welsh Terrier / Lakeland Terrier by Harry Goffey (English, 1871 – 1951)
A dry-point etching of a head study of a Welsh Terrier / Lakeland Terrier by Harry Goffey (English, 1871 – 1951). Titled, in the margin, in pencil, “Cats” and bottom right “H Goffey”. “Published by The Academy of Art Ltd. Nelson House, Birmingham”. English, circa 1920.

107 ) “The End of the Day” Scottish Terrier dry-point etching by Cecil Charles Windsor Aldin RBA
“The End of the Day”, a dry-point etching of the recumbent sleepy Scottish Terrier, ‘Nonie’ by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Titled and numbered in the margin, in pencil, bottom left, “The End of the Day 2/150” and “Cecil Aldin”. English, circa 1925.

108 ) Ivorine miniature of “Loopy” the Dalmatian Puppy by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
An ivorine miniature of “Loopy” the seated Dalmatian Puppy, by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed bottom right “Cecil Aldin”. This was published in “An Artist's Models”, with 20 colour plates illustrated by Cecil Aldin, and published, H. F. & G. Witherby, London, 1930. English, circa 1930. Known as “Loopy the Ugly Puppy”, a little harsh, as Aldin has captured this lovely puppy superbly. There is a print of this in the Royal Academy of Arts Collection

109 ) Ivorine miniature of a Rough Collie with puppy by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
An ivorine miniature of a recumbent Rough Collie disturbed by a puppy, by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed bottom left “Cecil Aldin”. English, circa 1930’s.

110 ) Ivorine miniature of "Susan the Pekingese" by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
An ivorine miniature of "Susan the Pekingese" lying before a cushion by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed bottom left “Cecil Aldin”. Illustrated in the artist’s 1933 book “Dogs of Every Day”.

111 ) Ivorine miniature of “A Dalmatian” by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
An ivorine miniature of “A Dalmatian” by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed bottom left “Cecil Aldin”. Francis Iles Gallery, Rochest, Kent, label to the reverse. First illustrated, “Dogs of Character” by Cecil Aldin, published by Eyre Spottiswoode, 1927. Here titled “A Dalmatian”, page 62. English, circa 1927.

112 ) Ivorine miniature of a “Bedlington Terrier” by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
An ivorine miniature of a standing “Bedlington Terrier” by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed bottom right “Cecil Aldin”. Francis Iles Gallery, Rochest, Kent, label to the reverse. First illustrated, “Dogs of Character” by Cecil Aldin, published by Eyre Spottiswoode, 1927. Here titled “A Bedlington Terrier”, page 6. English, circa 1927.

113 ) Study of Sealyhams, drawing, by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
A study of Sealyhams lying, in pencil and chalk on brown paper by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed in pencil bottom right “Cecil Aldin”. English, circa 1920.

114 ) A Scottish Deerhound pastel by Mick Cawston (English, 1959-2006)
A pastel on buff paper of a head study of a Scottish Deerhound by Mick Cawston (English, 1959-2006). Possibly one of Miss Noble’s famous Scottish Deerhounds. Signed bottom left, “Mick Cawston”. English, circa 1990’s.

115 ) “Champion Thistleglen Darin”, Scottish Deerhound pastel by Maurie Lewis
Thistleglen Darin was born 1/08/1989 out of Lehigh Nevin (sire) and Thistleglen Trillium (dam) and breed and owned by Jeanne T Frye and Donald E Frye. Signed dated and titled “Maurie Lewis 1993 Ch. Thistleglen Darin”. American 1993.

116 ) Scottish Terrier dry-point etching "Let’s Play", by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Let’s Play", a Scottish Terrier looks up at another in an open window by Marguerite Kirmse (English, 1885 -1954). Published Spring,, 1930. In pencil, titled bottom left "Let’s Play" and signed bottom right "Marguerite Kirmse". The reverse “Harlow, McDonald & Co Successors to Arthur H . Harlow & Co. 667 Fifth Avenue New York” label. With pencilled inventory number “28608”. American, 1930.

117 ) Scottish Terrier dry-point etching "Stymied” by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Stymied", a Scottish Terrier observing a recumbent cat in a shop window by Marguerite Kirmse (English, 1885 -1954). Published Spring,, 1927. In pencil, titled bottom left "Stymied" and signed bottom right "Marguerite Kirmse". American, 1927.

118 ) Scottish Terrier dry-point etching "Steal Preferred" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Steal Preferred" of Scottish Terrier puppies drinking from the milk pail by Marguerite Kirmse (English, 1885 -1954). Published Autumn, 1930. In pencil, titled bottom left "Steal Preferred" and signed bottom right "Marguerite Kirmse".

119 ) Scottish Terrier dry-point etching "Hide and Seek" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Hide and Seek" of a pair Scottish Terriers at the top of the stairs by Marguerite Kirmse (English, 1885 -1954). Published April, 1928. In pencil, titled bottom left "Hide and Seek" and signed bottom right "Marguerite Kirmse". The reverse bears “SCHWARTZ GALLERIES Art Publishers and Importers 517 Madison Avenue NEW YORK” label On which is typed “ “Hide and Seek” An original Etching by Marguerite Kirmse “. American 1928.

120 ) Late 19th century, French, oil of a Briard by Jules-Bertrand Gélibert (1834-1916)
An oval head and shoulders of a black Briard by Jules-Bertrand Gélibert (1834-1916). Signed and dated “Jules Gélibert 1894. French, 1894.

121 ) “Chien de Meute”, French hunting hounds pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour drawing on paper of various studies of “Chien de Meute”, French hunting hounds / by Xavier de Poret (French, 1894 - 1975). Signed “Xavie Poret”, French. These are the studies for some of the same hounds as found in the later Hermes commissioned silk “Chien de Meute” 1959 scarf range that came in different colourways.

122 ) Equestrian / horse pencil drawing by Xavier de Poret (French, 1894 - 1975)
A pencil drawing of a horse standing in a stable by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French.

123 ) “les Biches”, Fallow Deer pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour drawing on paper of various studies of “Les Biches”, Fallow Deer by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same hounds as found in the later Hermes commissioned silk “Les Biches” 1958 scarf range that came in different colourways.

124 ) “Écureuils”, Red Squirrel pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour on paper of various studies of “Écureuils”, Red Squirrels by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same Squirrels as found in the later Hermes commissioned silk “Pekinois” 1967 scarf range that came in different colourways.

125 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.