26 ) Rare English ‘Crystallo-Ceramie’ / ‘sulphide’ cameo four-in-hand coaching / carriage goldbrooch
A rare English ‘Crystallo-Ceramie’ / ‘sulphide’ cameo four-in-hand coaching / carriage gold set brooch. ‘Crystallo-Ceramie’ / ‘sulphide’ jewellery was patented in 1831 by the glassmaker Apsley Pellatt. Such jewellery was very fashionable in the 1830’s and 1840’s. English circa 1840.

27 ) A late 19th century reverse intaglio crystal coaching / carriage / four in hand gold brooch.
A late 19th century reverse intaglio crystal coaching / carriage / four in hand gold brooch. The coach wearing Royal Mail livery, black with red door and lower panels and Post Office red wheels. Mounted within a very fine rope beaded gold setting. English, 1880

28 ) Early 19th coaching / carriage / four-in-hand miniature scene set as a gold brooch.
Early 19th gold set brooch with a miniature of a coaching / carriage / four-in-hand scene,set in scrolled gold frame. English, circa 1820’s

29 ) Oil of the Donnybrook Fair by Richard Barrett Davis (English, 1782-1854)
Oil on canvas of the famous Donnybrook Fair, near Dublin by Richard Barrett Davis (English, 1782-1854). The reverse bears the label “Vicars Brothers Fine Art Dealers Printsellers and Publishers 12 Old Bond Street, London WI” and written in ink “Oil Painting, Donnybrook Fair R. B Davis”. The historic Donnybrook Fair was founded in 1204 by a royal charter of King John. Held in late August to mid-September, the fair became one of Ireland's principal markets. Today's dictionaries define donnybrook as a free-for-all or brawl owing to the "rough merriment" for which the fair came to be known. The fair was abolished in 1868. Provenance: Vicar Brothers, London Christie's New York, Important British and American Sporting Paintings, 8th June, 1984

30 ) “Xmas Eve” A Royal Mail in snow scene outside tavern / coaching inn by John Charles Maggs (English, 1819-1896)
A Royal Mail in snow scene, its passengers alighted outside tavern / coaching inn by John Charles Maggs (English, 1819-1896). Titled and signed bottom left “Xmas Eve J C Maggs”. The reverse bears “Frost and Reed” label with “Registered Number 35 29”, and referencing ‘Registered Number 35 30’, recording it was once one of a pair. The reverse bears a later label for “Daniel Rees . . Fine Art Dealer . . Jackson Michigan”. English, circa 1890.

31 ) Oil on canvas of horse / hunter and Foxhound by Wright Barker RBA (English, 1864 - 1941)
Oil on canvas of horse / hunter before a stable and fence looking down on a Foxhound by Wright Barker RBA (English, 1864 - 1941). Signed and dated bottom right “W Barker 86”. English, 1886.

32 ) Coaching oil “Doing Collar Work” by Henry Thomas Alken Snr. (English, 1785 – 1851)
An oil on panel of a coach fully laden with passengers and luggage following an incline as it approaches a thatched cottage. by Henry Thomas Alken Snr. (English, 1785 – 1851). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route. The reverse bears ink label “Coaching Scene A Alken Sen. Very rare old painting. Horses - "doing Collar work" up the hill”. Monogrammed and dated on the milestone “1815”. English, 1815.

33 ) Coaching oil “On Top of The Hill” by Henry Thomas Alken Snr. (English, 1785 – 1851)
Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil by Henry Thomas Alken Snr. (English, 1785 – 1851) A mid 19th century oil on panel of a London to Leeds Royal Mail coach . carriage/ six-in- hand driving through deep snow on approach to a village by Henry Thomas Alken Snr. (English, 1785 – 1851). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. The reverse bears stencilled Christie’s number N 843 to the reverse. English, circa 1830.

34 ) Oil of The Donnybrook Horse Fair, Dublin by Richard Barrett Davis (English, 1782-1854)
An oil on canvas of The Donnybrook Horse Fair, Dublin by Richard Barrett Davis (English, 1782-1854), painted on the artist’s visit to Dublin. The historic Donnybrook Fair was founded in 1204 by a royal charter of King John. Held in late August to mid-September, the fair became one of Ireland's principal markets. Today's dictionaries define Donnybrook as a free-for-all or brawl owing to the "rough merriment" for which the fair came to be known. The fair was abolished in 1868. English, circa 1830. Provenance: Vicar Brothers, London Christie's New York, Important British and American Sporting Paintings, June 8, 1984.

35 ) A coaching oil on canvas of the "London to Salisbury" and "Moses Pickwick's" carriages "Passing Stonehenge" by John Charles Maggs (English, 1819-1896)
A wonderful and historic Royal Mail coaching oil on canvas of the "London to Salisbury" coach driving in the opposite direction and Moses Pickwick's coach both "Passing Stonehenge" by John Charles Maggs (English, 1819-1896). The Royal Mail bearing signage "Salisbury London" coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The "Mosses Pickwick" coach bearing signed "Pickwick Bath". Moses Pickwick, a coachman who was born in Pickwick, lived in Corsham at the "Hare and Hounds" inn, and ran coaches between Bath and London. (Corsham was the inspiration for Charles Dickens' novel The Pickwick Papers. It is said Dickens borrowed Mosses Pickman's name for his novel Pickwick Papers). Signed and dated bottom left "J. C Maggs /95". The reverse bears gallery label for "Daniel Rees Fine Art Dealer Jackson Michigan", and a further "14. X.26" dated stock label J.C Maggs , 19th Century, English School, titled "Passing Stonehenge". English 1895. Provenance Daniel Rees "Fine Art Dealer" Jackson Michigan. Provenance Daniel Rees "Fine Art Dealer" Jackson Michigan

36 ) Royal Mail coaching oil by H. F Jones (English, op, 1860 -1870)
An oil on canvas of a Royal Mail coach laden with passengers and luggage crossing the countryside, having just left a coaching inn in the distance, by H. F Jones (English, op, 1860 - 1870). The coach wearing the correct Post Office red wheels, and black panelling but with ochre doors and displaying destinations and the livery of a painted fox . Signed and dated bottom right " H. F. Jones 1867". English, circa 1867.

37 ) Royal Mail coaching oil ‘Portsmouth to London’ by H. F Jones (English, op, 1860–1870)
An oil on canvas of a Royal Mail ‘Portsmouth to London (Bull & Mouth)’ coach laden with passengers and luggage crossing English heathland, by H. F. Jones (English, op, 1860–1870). The coach wearing the correct Post Office red wheels, and black panelling but with yellow doors, bearing the livery of the Bull and Mouth, Portsmouth Bull & Mouth London” above an image of a bull. The Bull and Mouth, Bull and Mouth Street (London) was a famous London coaching inn. Signed bottom right " H. F. Jones ". English, circa 1865. “Bull and Mouth” The great coaching-inn of Aldersgate Street, in the old time, was the “Bull and Mouth.” The original name of this inn was “Boulogne Mouth,” in allusion to the town and harbour of Boulogne, besieged by Henry VIII. But the “gne,” being generally pronounced by the Londoners “on,” it gradually became “an,” and it only required the small addition of “d” to make “and” of it. The first part being before this made a “bull” of, it was ultimately converted into the “Bull and Mouth.”

38 ) A patinated bronze and gold horse head stick pin
A patinated bronze horse head, wearing a gold bridle, stick pin. French, circa 1860. Such work was done by Jean-Valentin Morel (1794-1860) et Henri Duponchel (Morel et Duponchel) based at Rue Neuve Saint Augustin. Their work was retailed in the rich Parisian market.

39 ) A horse racing vase painted by P Räbiger for Dresden
A tall Dresden horse racing vase painted by P Räbiger for Dresden. Decorated with a scene of six riders on the humps course. The scene signed "P Räbiger". With gilt and enamel geometric patterning. The base marked with the crown and "Dresden", numbered "7661", with a further floral motif. German, circa 1900 P Räbiger also painted Royal Vienna Austrian porcelain.

40 ) An oil of horses and foal by Henri (Henry) Schouten (Belgium, 1857 - 1927)
An oil of a stallion and mare with their foal, in a landscape with trees by Henri (Henry) Schouten (Belgium, 1857 - 1927). Signed bottom left “Henri Schouten”

41 ) Gold and diamond Carriage Association of America pin
A 14 carat gold and diamond pin set with 12 diamonds, diamond lamp and coach panels inscribed with the insignia �CAA�, the Carriage Association of America. American, circa 1960�s

42 ) Reverse intaglio gold equestrian horse pin
Gold Equestrian Horse pin circa 1910-20

43 ) Enamel Kenart brooch of a standing chestnut horse
An enamel brooch of a standing horse by Kenart

44 ) A paste brooch of a horse head
A paste brooch of a horse head. French, circa 1900

45 ) Stick Pin of a Horse
Horse head pin by 'Fix' A stick pin of a bridled horses head by Bijoux Fix. The reverse marked 'FIX' and the pin stamped. FIX (Bijoux FIX) was founded in 1823 and is credited to have invented the laminated gold technique often known today as rolled gold. Lamination bonds a thick layer of gold onto a base metal whereas plating adds a thin layer of gold normally by a chemical or electrolytic process. FIX became a generic name used when speaking of the finest quality gold overlayed products. They produced well designed art-nouveau items that had a substantial gold layer on a base metal. French, circa 1920

46 ) Reverse Intaglio Crystal brooch of two horses heads set in gold.
Marked to the reverse 'Dorothy Cooksey Marcus Xmas 1909' The brooch is further stamped 'Marcus & co', the mark of the highly respected New York jewellery firm, Marcus & Company. Dorothy Cooksey Marcus came to England in 1912, deserting her husband and children claiming her affection were grater for her horses and dogs than her family. It was interestingly reported in The New York Times of 19th August 1915. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

47 ) Reverse Intaglio Crystal Horse Cufflinks
Circa 1920. Set in gold. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals

48 ) Reverse Intaglio Crystal Horse Cufflinks
Reverse minature carving. Set in gold, reverse intaglio crystal cufflinks. Possibly by Pradier. Circa 1890. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

49 ) Watercolour portrait of a horse by Thomas Percy Earl (1874-1947).
Watercolour portrait of a horse by Thomas Percy Earl (1874-1947). To the reverse is written "Mumtaz Mahal, The flying filly".

50 ) Horse Whip
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