1 ) “Anxious Moments”, oil of a terrier seated by a cowering rabbit, by Sir Edwin Henry Landseer R.A. (1802-1873)
“Anxious Moments”, an oil of a seated terrier besides a cowering rabbit by Sir Edwin Henry Landseer R.A. (1802-1873). Thomas Hyde Hills, of 45, Queen Anne Street, Cavendish Square published on the 10th November 1884, a mixed method engraving on chine collé by John Cother Webb (English 1855-1927) of Landseer’s oil. It would appear that this engraving was not made publically available, as annotated in pencil on the recto 'Private Plate / from a Picture painted / by Sir Edwin Landseer / this proof presented to Mrs Woodin[?] / by Thos Mackenzie'. This engraving is in the collection of the British Museum. Titled on the frame “Anxious Moments”. The reverse bears the Christies stamp, ‘XMS 93’. English, circa 1865.

2 ) "In The Warren", English terriers pencil drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824
"In The Warren", English terriers pencil drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824. The drawing is illustrated, as a woodblock, ‘Fig.89’ page 132 in “The Works of Sir Edwin Landseer” by W. Comos Monkhouse titled “In The Warren (1824)”. The author refers to the dogs as ‘English terriers’. The reverse bears label for Watling Street Galleries. English, 1824. Provenance: - C W Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

3 ) "Dogs at Bay", a pencil and chalk drawing of English terriers by Sir Edwin Henry Landseer R.A. (1802-1873) from 1828
"Dogs at Bay”, a pencil drawing of two English terriers playing with a hedgehog by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824. The drawing is illustrated, as a woodblock (Plate XXXII), in “The Works of Sir Edwin Landseer” by W. Comos Monkhouse. Titled “Dogs at Bay”. The author refers to the dogs as ‘English terriers’. Possibly a study for “Jocko” a terrier and hedgehog commissioned for Lieut-Col Peers William, exhibited at the Royal Academy in 1828. The reverse bears label for Watling Street Galleries. English, 1828 Provenance: - Charles William Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

4 ) “On the Scent”, a pencil drawing of a setter by Sir Edwin Henry Landseer R.A. (1802-1873) from 1819.
A pencil drawing of a setter on the scent by Sir Edwin Henry Landseer R.A. (1802-1873). The drawing is illustrated, as a woodblock, ‘‘Fig.27 page 37 “The Works of Sir Edwin Landseer” by W. Comos Monkhouse titled “On the Scent”. That image is slightly cropped, the drawing here complete with some canine studies near the margin. The author refers to the dogs “as a cross between a pointer and setter”. It is though more likely a setter. The reverse bears label for Watling Street Galleries. English 1819. Provenance: - Charles William Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

5 ) English terrier pencil drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1822
A drawing of a recumbent English terrier with sheep huddled in the background by Sir Edwin Henry Landseer R.A. (1802-1873) from 1822. Initialled and dated bottom right “EL 1822”. The reverse bears label for Watling Street Galleries. English, 1822. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

6 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

7 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

8 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116

9 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

10 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

11 ) Victorian enamel, silver gilt set pendant locket of Hon. W. Eussell's Bloodhound "Odin" after Sir Edwin Landseer
Victorian miniature enamel, silver gilt set pendant locket of Hon. W. Eussell's Bloodhound "Odin" after the painted by Sir Edwin Landseer and exhibited at the Royal Academy in 1836. The locket profusely engraved to the rear. English, circa 1880

12 ) Oil study of a Springer Spaniel puppy after Sir Edwin Henry Landseer RA (English 1802 - 1873)
A oil study of a recumbent Springer Spaniel puppy playing with a frog after Sir Edwin Henry Landseer RA (English 1802 - 1873). Today Landseer work can be see in the Harris Museum & Art Gallery. This work was famously etched by Charles Wentworth Wass (English, 1817-1905). An example of which can be seen in the British Museum. English, circa 1850.

13 ) �Setter"etching by Thomas Landseer ARA (English, 1795-1880) after Sir Edwin Landseer RA (English, 1802-1873)
�Setter� a rare artist�s signed proof etching and stipple on chine coll� by Thomas Landseer ARA (1795-1880) after Sir Edwin Landseer RA (1802-1873). It was published 1875 after Edwin Landseer�s drawing of 1849. Lettered top � "Entered according to act of Congress in the year 1875 by M.Knoedler & Co. in the office of the Librarian at Washington.", sealed bottom left �Printsellers Association BTS� and signed in pencil bottom left �T Landseer� There is an example in the British Museum Collection and one in the Royal Collection

14 ) Oil on canvas of The Cavalier's Hat / Cavalier's Pets by Lucy S Lyon (English, exh. 1994-1901) after Sir Edwin Landseer RA (1802-1873)
A pair of King Charles Cavalier Spaniels recumbent on a table besides a plumed hat. Signed and dated to the reverse L S Lyon 1880 The little dogs lie side by side on a table. The Blenheim has his paws over the edge, resting his nose comfortably upon them. The King Charles nestles upon the brim of a high-crowned hat ornamented with a long ostrich plume drooping over the brim. Such a hat was worn among the Cavaliers or king's party in the reign of Charles I.; hence the title of the Cavalier's Pets. English, circa 1880 The oil is clearly inspired by Sir Edwin Landseer RA, (1802-1873) earlier, 1845 Royal Academy exhibit of the King Charles Spaniels (also known as "The Cavalier's Hat" / "The Cavalier's Pets").

15 ) Japanese Meiji period silk embroidery / textile inspired by The Cavalier's Hat after Sir Edwin Landseer RA (1802-1873)
Japanese Meiji period silk embroidery / textile inspired by The Cavalier's Hat after Sir Edwin Landseer RA (1802-1873)

16 ) A 19th century English pencil drawing of the "Cavalier's Pets" after Sir Edwin Landseer RA (1802-1873).
A 19th century English pencil drawing of the "Cavalier's Pets" after Sir Edwin Landseer RA (1802-1873) painting. A pair of King Charles Cavalier Spaniels recumbent on a table besides a plumed hat.

17 ) "The Ptarmigan Hill" by Thomas Landseer ARA (1795-1880) after the painting by Sir Edwin Landseer RA (1802-1873)
Gordon Setters on a rocky hill-top, approaching a group of birds sheltering under a rock in the foreground at left, a bird of prey in the sky at right and mountains behind engraved by Thomas Landseer ARA (1795-1880) after the painting by Sir Edwin Landseer RA(1802-1873) Signed in pencil by 'Thos Landseer' bottom right, bottom left Printseller's Association blind-stamp (L.2050), lettered UKU. Etching, engraving and stipple on chine coll, published by Thomas Agnew & Sons in 1874. Lettered above image with publication line: "Published April 10th. 1874 by Messrs. Thos. Agnew & Sons, 5 Waterloo Place, Pall Mall, London - Copyright Registered." Another example can be found in the collection of the British Museum.

18 ) Otters and Salmon by Charles George Lewis (1808-1880) after Sir Edwin Landseer RA (1802-1873)
An otter standing over a dead salmon on a rock, looking back to left with a snarl at another otter which approaches; waterfall and mountain stream bordered by rocks in the background by Charles George Lewis (1808-1880) after Sir Edwin Landseer RA (1802-1873) 1842 Royal Academy exhibit 'Otters and Salmon'. Artist's proof before letter signed bottom left 'E Landseer', and bearing 'Printsellers Association' blindstamp, Published London 1871. Another example can be found in the collection of the British Museum. That engraving bears the letters 'Painted by Sir E. Landseer, R.A. // London Published April 28th 1871 by J. McQueen, 37 Great Marlborough Street, Regent Street. // Engraved by C.G. Lewis. // Copyright'.

19 ) Foxhound by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil on millboard of a hound by Sir Edwin Henry Landseer (English, 1802-1873).

20 ) Engraving of "Beauty's Bath" by Samuel Cousins RA (1801-1887), after Sir Edwin Landseer RA(1802-1873)
Engraving was published 1847 by Henry Graves, by the engraver Samuel Cousins RA (1801-1887), after the oil was titled "Beauty's Bath" painted in 1839 by Sir Edwin Landseer (1802-1873) , for Sir Robert Peel, twice British Prime Minister. This is the artist's proof before letters signed in pencil 'E Landseer' and 'Samuel Cousins' further initialled 'EL' with another indecipherable penciled initial. The painting is of Sir Robert Peels's daughter "Miss Elise (Elizabeth) Peel" cuddling her King Charles Cavalier "Fido". (On her marriage she became The Hon. Mrs Francis Stonor).

21 ) Victorian needlepoint / needlework / textile of the Cavalier Spaniel 'Dash', Queen Victoria's favourite, and the parrot Lory.
This image of the Cavalier King Charles Spaniel 'Dash' is inspired from the 1838 painting by Sir Edwin Landseer RA (1802-1873), titled "Hector, Nero and Dash with the parrot, Lory", commissioned by Queen Victoria which today can be seen in the Royal Collection. Lory in fact belonged to H.R.H The Duchess of Kent. English circa 1870

22 ) Gold set reverse intaglio crystal brooch of a Scottish Deerhound.
Gold backed, beaded border and original pin. English, circa 1870 Inspired by the Deerhound paintings by Sir Edwin Landseer RA (1802-1873), such as 'Hafed' and 'Hector' one of Queen Victoria's favourite dogs, and Sir Walter Scott's Maida.

23 ) Pencil on paper of a Newfoundland. Manner of Sir Edwin Henry Landseer RA (1802 - 1873).
Pencil on paper of a Newfoundland. Manner of Sir Edwin Henry Landseer RA (1802 - 1873). Signed "S.A.Landseer".

24 ) Unsigned oil on canvas of Princess Victoria's favourite spaniel, 'Dash'
Unsigned oil on canvas of Princess Victoria's favourite spaniel, 'Dash' after a painting by Sir Edwin Landseer RA (1802-1873) given to the Princess on her birthday 24th May 1836. Marked on the gilt mount 'J Earl' possibly meant to be either Thomas Earl (English, 1836-1885) or George Earl (English, 1824 - 1908) his brother. English, circa 1870

25 ) King Charles Cavalier Spaniel
Oval miniature on ivory by Marie Zicaliotti, signed and dated "M. Zicaliotti 1910" SOLD

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3) Margaret Boden and Yorkshire Terrier find new home

4) Louis Comfort Tiffany and his Terrier "Funny" by Joaquin Sorolla (Spanish, 1863 - 1923) - See this at the Royal Academy of Arts "Painting the Modern Garden: Monet to Matisse" from 30 January to 20 April 2016

5) Enamel Jewellery by William Essex, W.B Ford and and James W Bailey

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